After an unsuccessful show at National Underground, I took a break from performing. I had gotten hired by Guitar Center on Northern Blvd, and my clean face and Beatles-like Ceasar cut became my patented look during my time there. I had a show booked at Gizzi’s, but because I was still upset over the previous outing, I didn’t promote the gig. I remember, clear as day, bringing my acoustic guitar with me to work, inviting only two close friends to see me play at Gizzi’s. Both Chrisco and Thunder showed up, making this a private affair. Gizzi’s was fairly new to me, so I hadn’t yet built the relationship with them that would grow to have. In a nearly empty room, it became evident to me that night that while my support circle was small, it was strong. We laughed and enjoyed the night, as I played acoustic tunes from a step-high stage in the corner of this buried treasure of a cafe. Among all the tunes played that night, it was a single solitary moment, seeing our barista’s face as I hit Thom Yorke’s high note in Radiohead’s “Creep”, which would solidify this show for me as one of my favorites. The videos thankfully remained a fixture on Thunder’s YouTube channel; a place that would become a sanctuary for me to relive the past. I hadn’t yet quite understood the music business, but I knew one thing for certain: I loved performing. The simple nature of raw acoustic strings and vocals allowed me to stun those who took the time to appreciate the art, and I had no idea where it was going to take me.

Similar Posts

Morning View at Wicked Willy’s (2011)
The band took a drastic turn, and we welcomed a new guitarist with open arms. The professionalism he brought to the group elevated us as a band, and we were performance-ready in no time. We booked a show at Wicked Willy’s, a dive bar in downtown New York City, and…

The Freshman (Verve Pipe)
I continued my session, my hand disappearing into the black plastic bag as I fumbled for another Coors Light. The cold metal of the can was oddly comforting, a sensation that, in that moment, was all I had. I leaned against the desk in the dark studio, my mind racing…

Love Hurts (Incubus)
Day 3: As I sat on the edge of my bed, nursing the aftermath of my three-day pity party, I couldn’t help but feel the weight of my own self-loathing. Strewn clothes and empty bottles bore testimony to the tempest that had raged within me over the past 72 hours….

“Begin Again” (Wicked Willy’s)
The change to originals brought excitement from Mikey Pop, who would willingly volunteer to become my drummer. Wanting a bigger sound, I posted an advertisement on Craigslist, scanning the New York City area for anyone interested in joining my original project. I would get a response from a professional pianist,…

La Voz (Original)
The sound of Spanish music pulsated through the walls of my home, a constant reminder of my Puerto Rican roots. My wife, Brenna, was a huge fan of the genre, and her love for it seeped into my subconscious, urging me to explore it further. When I heard “Booker T”…

Bodysnatchers (Cafe Con Leche)
My time at Guitar Center produced a few long-lasting friends. Javier Pardo was at the top of that list. Outside of bonding over our appreciation for John Mayer, we shared similar goals and interests musically. The relationship I was in at that time led us to a studio session one…